The different dimensions of the exhibition's image objects refer thus to the set of intersections of the parted political spaces. The line where the possibility for another life or survival unfold, are caught in the frame that way. At the same time the reflection of the windshield, the tracks on the front glass reduplicate the effect of the picture frame's glass plate and irritate the viewers.

The motives of the color photographs are mostly small roads and narrow lanes lined by run-of-the-mill landscapes: green meadows, flowers and trees under a blue sky with white clouds. They appear almost idyllic beside the standard markings of the infrastructure like signposts, transmission towers and traces of agricultural use.

Nobody can be seen in the photographs. Nevertheless they show the individual as a representative of these landscapes, even more, they show him through an instrument of his domination: in the form of a navigation device that captures every angle of this second nature with satellites. What serves the artist duo as a guide in the car, represents one of the many technologies that is useful for the control regime on the borders. It makes the walls and the fences that secure the so-called Fortress Europe appear anachronistic so that the humanistic face of Europe does not get threatened to become blemished, while one insults the fences and walls of other countries.