2024 ︎ Activate the Good Spirits, Haunt the Toxic Ghosts
︎ 4K-Video ︎ 26 min
Activate the Good Spirits, Haunt the Toxic Ghosts
4K-Video, 2024
26 min
The
short film »Activate the Good Spirits, Haunt the Toxic
Ghosts«
approaches the nature of glaciers and the landscape they shape as a
speculative science fiction
narrative.
It is populated by a collective of mythological figures from alpine legends and post-humanistic beings. We encounter figures transformed into the future, such as the queerly read, mythical »Salige«, the »Glacier Bear« and the »Tree Man«, who hark back to the Tyrolean carnival and pagan customs. Together with the »Cloud« and the »Radioactive Fish«, both contaminated by anthropocentric influences, they form a community of nomadic subjects. The visibly shrunken glacier, whose traces have formed the landscape, comes into the picture by means of drone shots that show a sublime, supposedly untouched, archaic nature.
The collective seems well adapted to the climatic conditions in this landscape, but the reason for its presence is left to our imagination. Actions of the collective can equally be read as scientific methods, healing practices, gestures of care, animistic rituals, means of communication or activism. Only once does the group become explicit in its demand, when it uses a self-made banner to address (glacial) water as a contested resource. Obviously, the message is addressed less to a counterpart in the film than to us viewers directly.
Together with her protagonists, the artist traces a supposedly different, mythological and ancient knowledge about the glaciers and speculates on how this knowledge can be activated for future forms of coexistence and understanding between human and non-human actors.
Text: Georgia Holz
It is populated by a collective of mythological figures from alpine legends and post-humanistic beings. We encounter figures transformed into the future, such as the queerly read, mythical »Salige«, the »Glacier Bear« and the »Tree Man«, who hark back to the Tyrolean carnival and pagan customs. Together with the »Cloud« and the »Radioactive Fish«, both contaminated by anthropocentric influences, they form a community of nomadic subjects. The visibly shrunken glacier, whose traces have formed the landscape, comes into the picture by means of drone shots that show a sublime, supposedly untouched, archaic nature.
The collective seems well adapted to the climatic conditions in this landscape, but the reason for its presence is left to our imagination. Actions of the collective can equally be read as scientific methods, healing practices, gestures of care, animistic rituals, means of communication or activism. Only once does the group become explicit in its demand, when it uses a self-made banner to address (glacial) water as a contested resource. Obviously, the message is addressed less to a counterpart in the film than to us viewers directly.
Together with her protagonists, the artist traces a supposedly different, mythological and ancient knowledge about the glaciers and speculates on how this knowledge can be activated for future forms of coexistence and understanding between human and non-human actors.
Text: Georgia Holz
PERFORMERS
Jodok Tinzl
Jona Scharfetter
Levi Scharfetter
Vito Scharfetter
Vitus Tinzl
CAMERA
Marianne Borowiecz
CREW
Stephanie Schumacher-Scharfetter
Saskia Tinzl-Malang
Clemens Tinzl
COLOUR GRADING
Caroline Bobek
COSTUME CONCEPTS
Johanna Tinzl
COSTUME DESIGN
Julia Cepp
DRONE OPERATOR
Marianne Borowiecz
PREPARATION CREW
Karolina Tinzl
Hugo Tinzl
SOUND DESIGN
Florian Pfaffenberger
SOUND RECORDING
Richard Heuberger
THANKS TO
Markus Bitter
Lydia and Serafin Gstrein
Maruša Sagadin
Eva Seiler
Christine Tinzl
Please contact me for the password.
Jodok Tinzl
Jona Scharfetter
Levi Scharfetter
Vito Scharfetter
Vitus Tinzl
CAMERA
Marianne Borowiecz
CREW
Stephanie Schumacher-Scharfetter
Saskia Tinzl-Malang
Clemens Tinzl
COLOUR GRADING
Caroline Bobek
COSTUME CONCEPTS
Johanna Tinzl
COSTUME DESIGN
Julia Cepp
DRONE OPERATOR
Marianne Borowiecz
PREPARATION CREW
Karolina Tinzl
Hugo Tinzl
SOUND DESIGN
Florian Pfaffenberger
SOUND EDITING
Karl Salzmann
Karl Salzmann
SOUND RECORDING
Richard Heuberger
THANKS TO
Markus Bitter
Lydia and Serafin Gstrein
Maruša Sagadin
Eva Seiler
Christine Tinzl
Please contact me for the password.